Perreaudin, Philippe, 2008. "Cité de l'architecture et du patrimoine: A Library Dedicated to Contemporary Architecture in the Heart of Paris." Art Libraries Journal 33, no. 4: 5-10. Library, Information Science & Technology Abstracts, EBSCOhost (accessed November 24, 2017).

"Cité de l'architecture & du patrimoine – Paris tourist office." En.parisinfo.com. Accessed November 24, 2017. https://en.parisinfo.com/paris-museum-monument/71083/Cite-de-l- architecture-du-patrimoine.

"Cité de l'Architecture et du Patrimoine – Musée des Monuments Français." Paris Museum Pass. Accessed November 24, 2017. http://en.parismuseumpass.com/musee-cite-de-l- architecture-et-du-patriomoine-musee-des-monuments-francais-29.htm.

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The 250,000 square foot building called the Cité de l'Architecture et du Patrimoine was set as the Musée des Arts et Traditions Populaires during the term the Musée de l'Homme opposition came into formation to dispense anti-Nazi propaganda.[1] While the intellectual rebel circle upheld operation in the Musée de l'Homme, the Musée des Arts et Traditions Populaires seeded the roots for an underground resistance.[2] Agnès Humbert arrived in Paris in August 1940 to restate her job as curator to the Musée des Arts et Traditions Populaires and was sickened to see the museum did not remain the same and had been purged and reclassified.[3] The Germans were intent on hoisting propaganda for the Third Reich and the shelves at the Musée des Arts et Traditions Populaires led books from second-rate German writers including Montandon's Les Races.[4] Writings constituted by first-rate Jewish authors had been removed and photographs that relisted public strikes in 1936 had vanished.[5] Humbert labeled her "strong dose of rage,"[6] to Musée d'Art Modern director and old friend Jean Cassou to unite ten conspirators as the Free French of France and would showcase as the typist and secretary for the Réseau du Musée de l'Homme newsprint.[7]

Humbert was further stifled with the "society,"[8] ladies that swarmed the corridors and the offices of the Musée des Arts et Traditions Populaires.[9] Parisians had focused away from the war in the face of defeat as well as occupation to day-to-day survival and the museum became flocked with "ladies of considerable charm, elegance, and wealth,"[10] who spoke of having intimate blends to the Marshal Pétain regime in southern France.[11] They hailed for a "new France,"[12] that directed attention to their ordeal and made common cause to remind Humbert that she did not bear notions of a society woman.[13] The Musée des Arts et Traditions Populaires revived a sickness in Humbert to oppose German rule and sparked the Réseau du Musée de l'Homme resistance.[14]

[1] David Schoenbrun, Soldiers of the Night: The Story of the French Resistance (Scarborough: New American Library, 1980), 74.

[2] Schoenbrun, Soldiers of the Night, 70.: Lynne Taylor, Between Resistance and Collaboration: Popular Protest in Northern France, 1940-45 (Basingstoke: Macmillan Press Ltd, 2000), 63.

[3] Schoenbrun, Soldiers of the Night, 73.: Alan Riding, And the Show Went On: Cultural Life in Nazi-Occupied Paris (New York: Alfred A. Knopf, 2010), 109.: Agnès Humbert, Resistance: Memoirs of Occupied France, trans. Barbara Mellor (London: Bloomsbury Publishing Plc, 2008), 10.

[4] Harry Roderick Kedward, Occupied France: Collaboration and Resistance 1940-1944 (Oxford: Basil Blackwell Ltd, 1985), 3.: Schoenbrun, Soldiers of the Night, 73.: Humbert, Resistance, 10.

[5] Schoenbrun, Soldiers of the Night, 73.: Humbert, Resistance, 10.

[6] Schoenbrun, Soldiers of the Night, 73.

[7] Schoenbrun, Soldiers of the Night, 73.: Humbert, Resistance, 11-12.: Riding, And the Show Went On, 109-110.: Margaret Collins. Weitz, Sisters in the Resistance: How Women Fought to Free France 1940-1945 (New York: John Wiley & Sons, Inc. , 1995), 59.

[8] Schoenbrun, Soldiers of the Night, 73.

[9] Ibid., p. 73.: Humbert, Resistance, 15.

[10] Humbert, Resistance, 15.

[11] Kedward, Occupied France, 2, 4.: Schoenbrun, Soldiers of the Night, 73.: Humbert, Resistance, 15.

[12] Humbert, Resistance, 15.

[13] Schoenbrun, Soldiers of the Night, 73.: Humbert, Resistance, 15.

[14] Schoenbrun, Soldiers of the Night, 73.