Brian Wemp, 'Social Space, Technology, and Consumer Culture at the Grands Magasins Dufayel,' Historical Reflections 37, 1 (2011), 1-17.
Meakin, Anna. "Paris Past: Les Grands Magasins Dufayel." Bonjour Paris. https://bonjourparis.com/archives/paris-past-grands-magasins-dufayel/ accessed November14 2017
"Les Grands Magasins de Monsieur Dufayel - En bateau, Lakevio", Canalblog, 2014,
http://lakevio.canalblog.com/archives/2014/12/01/31040194.html
Not only could shoppers access a vast range of merchandise, they could also listen to phonographic demonstrations, have an x-ray taken of their hand or foot, view scientific exhibits, enjoy concerts, and watch films at the cinema.[5] Prior to this creation, the neighbourhood contained no parks or squares, and very few places to spend free time besides local drinking establishments, which shows just how important and influential the store would have been on the neighbourhood residents. The idea of turning shopping into a leisure destination was also created at this site, through the creation of non-commercial areas in the building, where visitors could stroll, visit the winter garden, view exotic plants, listen to the orchestra, or have a picnic. Consumption as a leisure activity made the overall experience of consuming more pleasant, which has had a long-term influence on the influence of this change in consumer habits, which can still be seen in current consumer society. Dufayel was also the founder of credit-based retail, which consisted of credit-based coupons that were sold to a working-class customer base, and could be redeemed at any stores that were participants in the credit program.[6]
While many bourgeois stores sought to conceal the existence of mass production and consumer culture, Dufayel celebrated the commercial nature of the store and its relation and reliance on both technology and mass production. It is often argued that the Grands Magasin Dufayel filled both a physical and cultural void in the Goutte d'Or, and that this interior space proposed a bright future for the working classes of Paris.[7]
The Grands Magasin Dufayel existed in the same neighbourhood that our fictional child would have grown up in, and been living in during the outbreak of the war. Before the war, this particular site would have largely impacted the child and her family, regarding not only their consumer and leisure activities, but also the ways in which they viewed consumerism as a whole. The Magasin Dufayel would have most likely been often frequented by this family for both
shopping and leisure, but once war was declared, the ways in which the store operated would have largely been changed. Production of luxury and commercial items would have slowed down or been cut off completely, due to the increase in mass production of war-related materials, which would have affected both the availability of goods, and continuation of entertainment and leisure opportunities. This new consumer culture brought on by the Grands Magasin Dufayel in the Goutte d'Or would have temporarily disappeared during the First World War, and changed the ways in which the working classes lived their lives.
End Notes
[1] Meakin, Anna. "Paris Past: Les Grands Magasins Dufayel." Bonjour Paris.
[2] Meakin, Anna. "Paris Past: Les Grands Magasins Dufayel."
[3] Meakin. "Paris Past: Les Grands Magasins Dufayel."
[4] Meakin. "Paris Past."
[5] Wemp, Brian. 'Social Space, Technology, and Consumer Culture at the Grands Magasins Dufayel,' Historical Reflections. Pg. 9
[6] Wemp, Brian. 'Social Space, Technology, and Consumer Culture at the Grands Magasins Dufayel,' pg. 6
[7] Wemp, Brian. 'Social Space, Technology, and Consumer Culture at the Grands Magasins Dufayel,' pg. 14